Luxor Museum Egypt

The Luxor Museum, located near the Nile River, in the city centre of Luxor (Egypt) account for a few weeks with a new coffin of great historical interest. This piece was discovered two years ago by members of Djehuty Project, involving different experts from the University of Seville and other researchers from all over Spain.image

The casket is a singular piece Iqer the time to which is attached, the beginning of the Middle Kingdom, a hectic time in the history of Egypt, with the country emerging from one of the deepest crises in its history. His style is also very unique: a band of decoration presents a rustic features hieroglyphic text, which we might describe as “naive”. The coloring is otherwise well preserved. Inside the coffin was found the mummy coffin owner, by the name of Iqer (which in Egyptian means “The Great”), with an interesting outfit consisting of bows, arrows, rods and ceramics.

Professor, Department of Ancient History at the University of Seville José Miguel Serrano, a member of the archaeological mission for more than a decade, and co-director of the same, says that it is a part “unique and very hard to find.”

Currently only half a dozen have discovered sarcophagi value similar to that already can be seen at the windows of the most important room of the Museum of Luxor. “We are very proud of this recognition that has given us one of the best museums in Egypt and continue to work because we are sure that there is still much to discover.”


In the past two years, this panel has almost doubled the area of ​​excavation where they found a number of funerary chapels and a deposit of ceramics, also of type funeral, the largest found so far. “This is a clear indication that this area contains interesting elements, and even likely, that we find new graves which would add to the five that we have discovered over the years of excavation,” says Serrano Delgado.

Karnak by Night

The topics that focuses its research are framed within the context of the Egyptian religion, mainly through texts and iconographic repertoires. Holds a research on funerary biographies, plus an interest rate for historiographical issues. In recent years, in line with their participation in the Project Djehuty, is dedicated to the study of New Kingdom funerary rituals


The National Gallery in London

The National Gallery explores the mystery of the face in the painting throughout history.


LONDON . – The mystery of the faces and how it was captured by artists throughout history is the subject of an exhibition that opens this Thursday the National Gallery, with paintings by masters such as Goya, Rembrandt, and Hogarth .

‘Making Faces’ is the third exhibition in a series of four devoted to specific aspects of painting, such as light and the idea of ​​paradise (‘ Light ‘and’ Paradise ‘, inaugurated in 2003) and still life (‘ The Stuff of Life ‘), to be presented next year.

The exposure of faces, which contains 27 works from the National Gallery’s own museums and the English cities of Bristol and Newcastle, explores the different perspectives that can be addressed with a portrait, and “truth and lies” that sometimes contain.

“What is more real, the idealization of a face or a portrait of its imperfections?” Exposure poses.

The resemblance through different paths

“The portrait must contain some sort of resemblance to the model, says the curator, Alexander Sturgis, but that can be achieved in various ways, realism, caricature, the idealization …”

Some artists prefer to portray every last wrinkle, while others, such as Frank Auerbach, capture the essence through color or shape .

Highlighted in this small sample, it just takes a room at the London museum, the Francisco de Goya portrait of the lady became Madrid ‘Doña Isabel de Porcel’ in 1805, a lady whose vivacity blanket transfers its static pose.

The face can be represented in profile, as evidenced by ‘The Lady in Red’, painted in the fifteenth century by an unknown artist in the tradition Italian, or front, as a portrait of ‘Napoleon’ of the nineteenth century, which presents the emperor as an icon of power.

Pop Art

Andy Warhol preferred to manipulate photos and turn them into flattering portraits of famous ones, such as Joan Collins, 1985, present in this sample.

Catch a glimpse of expression, a smile instantly, no easy task for the painter. One of the works that best capture the spontaneous gesture is ‘Shrimp Girl’ (1740-5), William Hogarth, a smiling shrimp harvester which the artist immortalized with brush stroke agile and fluid.

And along comes the emotion expression, one of the biggest challenges for the creators, who came to haunt the painters of the seventeenth.

Besides religious imagery, ‘Making Faces’ shows’ The Feast of Belshazzar “(1635), Rembrandt van Rijn, a large group portrait that highlights the face of terror of the king of Babylon, that looks like a hand ghost writes a message on the wall that spells the end of his life and his reign.


Cairo Museum Egypt

The Egyptian Museum in Cairo is one of the most fantastic museums worldwide. It is a large building where they display the treasures of ancient Egyptian history, giving us the wonderful evidence of mental ability and artistic skill of the ancient Egyptian Man. In fact, before the arrival of the French campaign, led by the famous general Napoleon Bonaparte to Egypt in 1798, the ancient history of Egypt for centuries was almost unknown and full of a lot of confusion and ambiguity.

imageThe French expedition brought more than 165 scholars and scientists in all specialties to study all aspects of Egyptian life, geography, zoology, geology, history, religion, traditions, laws etc. Those scientists showed great desire and enthusiasm to study the entire Egyptian, especially history and ancient monuments. Undoubtedly, the charm and grandeur of these monuments attracted many of them to go almost all regions of Egyptian territory especially in Upper Egypt. The ancient Egyptian monuments were the largest field of study and research for some of these historians and scholars. A few years later came the work of French painter and historian Vivian Dinon who walked enchanted by the wonders especially in Upper Egypt-Egypt, and finally his work resulted in a valuable book entitled “Travel to the Lower and Upper Egypt” published in Paris in 1803.

Also thanks to other French scholars that came with the French expedition that made ​​a great work that encompasses all aspects of life in Egypt of the eighteenth century, publishing his famous book titled, “del Descripcione ‘Egypte” which contains nine volumes of investigations and eleven paintings and illustrations. A few years later, a historical episode normal, guided to a great discovery; deciphering the secrets of Ancient Egyptian history. The stumbling upon a black stone known as the “Rosetta Stone” resulted, therefore, the deciphering of the ancient Egyptian language, a critical event in the history of mankind, and so the scriptures engraved on the walls of temples and tombs gave us great data history, civilization, and religious art in ancient Egypt.   During the nineteenth century began to appear in Europe in general and France in particular a new science called “Egyptology” which led to a fervour among scholars of Europe. And yet, historians, archaeologists, adventurers and treasure hunters and migratory came to Egypt enchanted by its history and culture, began excavating sites in different territory, and obviously some of them lacked the necessary scientific honesty, so there were thefts monuments and objects and immediately emerged a large market of Egyptian Antiquities in Europe, and while there was that time of the nineteenth century the true value of heritage monuments by the native Egyptians.

Neither the government nor the people knew the value of these authentic objects findings and wonderful antiques. And as there was no control over this sector cultural antiquities and Egyptians artifacts were subject to theft, trafficking, smuggling and careless neglect for nearly 50 years until the end of the reign of Governor Mohamad Ali (1805-1849), the modernization of Egypt, who sent conserve monuments and objects discovered in a building within the Citadel of Saladin in Cairo, prohibiting the trafficking of monuments outside the country. imageThanks to Mariette Pacha (1821-1881) precurso the French Egyptologist who established the Egyptian Antiquities Service of first. Mariette in 1857 founded the first museum in the neighbourhood of true “Bulaq” in Cairo. It was, indeed, a small building that consisted of four rooms that were exposed objects and antiquities Egyptian . Soon, this museum was badly affected by the flooding of the river Nile, so the objects were transferred to an annex of a royal palace of the Egyptian Ismael Pacha in the city of Giza. now The Egyptian Museum in Cairo was a fruit of great efforts and good desire to preserve the ancient Egyptian artifacts. It was announced an international competition between European companies in the late nineteenth century to build a museum, and won the competition a company from Belgium, so the design of the facade of the museum, unfortunately, is not Egyptian, but was decorated in the style Greco-Roman.

The design of the museum was done by the French architect Marcel Dourgnon according to the neoclassical model. In 1897 the construction began and ended in 1901, but only the 15 November 1902 the museum was officially opened during the reign of the governor of Egypt Abass Helmi (1892-1914). Egyptian Museum now stands in the square doTahrir (centre of Cairo) near the east bank of the Nile (the corniche). It is a building of immense red colour with a large outdoor patio. The museum has a cafeteria and a book store selling gifts, postcards, slides, maps, guides and history books and Egyptian art. courtyard in the museum, across the internal portal there are three flags, the first is the National Flag, the second represents the Ministry of Culture, and the third belongs to the Supreme Council of Egyptian Antiquities. There, at the top of the facade falls two dates, the first is 1897, which refers to the date of commencement of construction works, while the second is 1901, indicates the end of the works, but the museum was inaugurated in 1902. There are also two initial letters to the right and to the left of the name aldo governor who ruled Egypt from 1892 to 1914, are the letters “A” and “H” indicate that successively named Abbas Helmi. At the center of the facade lies if the head of the goddess important according to ancient Egyptian beliefs, the goddess Hathor (Ht-Hr) who was considered one of the most famous and ancient Egyptian goddesses. She was the goddess who nursed the god Horus as a baby during the absence of his mother Isis acontecimenetos according to the legend of Osiris.

Hathor was the goddess of love, joy, music and motherhood. It was basically figured in three ways: the first as a cow fully, the second with a form híprida woman’s body and head of a cow, and the third way is a woman but with two cow horns on their heads and solar disk between them. On the facade, is the head of Hathor, is represented with the face of a woman, two horns with the solar disk. To both sides, right and left is a representção Goddess Isis celebrate, the wife of Osiris and mother of Horus. Isis was imageone of the fundamental divinities who played a large role in Ancient Egyptian Theology. Isis was the goddess of motherhood, loyalty, and magic. Here Isis is a figurative way Greco-Roman and not due to the traditional Egyptian style your wig and your gown also with node that is Roman. Salem addition, the facade was decorated in the Greco-Roman style due to the existence of two Ionic columns, as this type of columns only appeared in the Greco-Roman Period. After all they are some names of ancient Egyptian kings written into medallions. in the garden of the museum, some monuments are scattered here and there, most of them date from the New Kingdom period (1570-1080 a. C approx.). At the west end of the courtyard is a cenotaph, or symbolic tomb built in honor of the memory of the famous figure, the French Egyptologist Mariette Pasha, who was born in 1821 and died in 1881. It is, indeed, a marble cenotaph commemorating this famous figure who came to him the idea of fundção museum that houses and displays the objects found. He wished to be buried in this place, it seems that the cenotaph is only symbolic. The cenotaph is surrounded by busts of famous Egyptologists as one Champollião, Mariette, Selim Hassan, Labibi Habashi, Kamal Selim etc. At the centre of the courtyard is a fountain filled with two kinds of plants, the papyrus and lotus. The papyrus was the symbol of Lower Egypt (North), while the lotus was the symbol of Upper Egypt (the south). The papyrus is found in the swamps of the Delta region in northern Egypt. It is a plant that needs lots of water and measures almost 2 m. high. In Ancient Egyptian papyri were used to make writing paper, sandals, etc. and barges. While the lotus was in the South, and there were two species, the blue lotus and white lotus during the Ancient Egyptian Era.

We also know that the Romans introduced a third species from Asia. The lotus flower is the symbol of the resurrection, and beyond papyrus, lotus gave inspiration to architects to decorate ancient columns and capitals. Indeed, the Egyptian Museum in Cairo is one of the great museums in the world in terms of cantidade of exhibits and those who are still deposited, because – according to one estimate, the museum has about 120,000 objects on display, while there are over 100,000 obejectos stored in warehouses. The display of objects is arranged on two floors chronological order, with the direction of correpondendo clock inicindo up from Period Predinástico hence the Archaic Period, from the Old Kingdom, Middle Kingdom, the New Kingdom, the Late Period and ends by early Greek Era in Egypt. The second floor is devoted primarily to display the collection of Tutankhamun, the objects from the tomb of the couple Yoya and Tuya and the Hall of Mummies. To both sides of the front entrance of the museum’s two sphinxes that give the visitor a special impression as if you are entering an Egyptian temple.


Cairo Museum in Egypt


A must-see in Cairo  “Egypt”, is undoubtedly the Egyptian Museum, is required at least one day to see the entire collection of objects of the Pharaonic era, it houses the largest collection of objects Pharaonic times.

The museum is located north of Midan Tahrir in Tahrir Square, once you arrive at the entrance to force you to leave cameras and phones, it is forbidden to take pictures inside. The museum is impressively large and part of the entrance is a sitting area so you can spend some time sitting in the sun and also shops to buy souvenirs, books, coins ..

At the entrance of the museum you find a lot of guides that you can hire for 30 €, eye many of them are not official guides and are rather scammers. I only had three hours to see the museum, having read so much information I went to what really struck me as the room dedicated to Tutankhamen W where I could see the golden mask and all that was in Great Treasure his tomb in the Valley of the Kings W .

On the first floor there is a large collection of coins and papyrus, which is preserved in the museum are works of art, but not all can be seen as being restored many others and some no room to display them.

Another room I recommend is the area of the Old Kingdomvery well because the background can appreciate the seated statue of Mentuhotep I W .


A room that is very curious is where are the eleven Mummies, where the Ramses III and IV among many others, to get into it you have to pay some extra Egyptian pounds as it is not included in the price of the museum entrance. If you want to see mummies and do not want to pay the entrance, you can see in another room of several animal mummies.

Museum hours are from 9:00 to 6:30 every day, entry is allowed until 5:00 pm, mummies halls close at 6:00.